April 30, 2009

She fly's through the air..


One of the difficulties in moving out of the familiar is the temptation to close off the full drama of change before it ripens. This sense of being bereft of all that is familiar is a vacuum which threatens to suck up everything within it's reach.

What is hard to appreciate, when terror shapes a catastrophic gap, is that this blankness can be a Fertile Void. The Fertile Void is the existential metaphor for giving up the familiar supports of the present and trusting the momentum of life to produce new opportunities and vista's.

The acrobat who swings from one trapeze to the next knows just when he must let go. He gauges his release exquisitely and for a moment he has nothing going for him but his own momentum. Our hearts follow his arc and we love him for risking the unsupported moment.

Erving and Miriam Polster

April 12, 2009

Buona Pasqua da Firenze


From my 5th floor window, the light was sweet and warm for an Easter morn. I set up breakfast on the top floor where the view of the rooftops is equal to my sitting. I am in an extraordinary position between the Palazzo Vecchio of Piazza Signoria with my old friend the tower on my left, and the top of Chiesa Santa Croce on my right. The Duomo, although out of sight, is just a few blocks away.

My friend Laine came to tea. I had a lovely easter cake with bits of dried and candied fruit, the natural kind, with no color, just chewy and delicious to eat with yogurt and strawberries. I have a passion for Mate' these days and skipped the new box of English Breakfast that I just aquired at Mariage Frere in Paris.

From the rooftop we are privy to the activity coming from the streets below. Suddenly we heard a few booms. I said to Laine, 'oh that's the scoppio del carro!' The Florentines have been releasing doves from the piazza of the Duomo for 500 years. We hear successive boom and flaps of wings, but no doves fly high enough for us to see. Pigeons were no doubt ruffled and alarmed. We discussed a bit of doom and gloom in the brightness of the room while hopes of renewal were being blasted about. I thought not only about the present situation of many, including myself, but about my hopes for the government. I don't remember in my adult life ever consciously thinking about the government. Yet, I see this shining possibility that we can navigate rough waters for real change, because change is happening, whether we like it or not. It's most definitely a time of transformation. Our goose is getting cooked. I prefer someone that knows how to meet those challenges as something savory and delicious, as opposed to gnawing on something dry and brittle, with little or no possibility left for succulence. This is what I feel will happen if certain agenda's are not passed if opposition is so strong we can not make our goal. This is not a football match. We should not be in competition with ourselves. We need to squeeze through the eye of the needle. There is no room to bring all of our old baggage through. Otherwise, we won't make it. i prefer the unknown full of potential and possibility even if I have to pare down and God forbid, change some of my habits.

I often ask the question, 'what wants to happen?' What sort of collective manifesto can we create? Not just what do I want. I want the best of what life has to offer for everyone. Not giving into fear and being overtaken by negative mind is a start. What is our destiny if not what we make it? The guidelines are simple. Be generous and kind and the world with all her glory will unfold her treasures in a like-minded way.

Laine brought a sweet card with a few poignant quotes:

*'LIve in the faith that the whole world is on your side so long as you are true to the best that is within you'.

*Some stories don't have a clear beginning, middle or end. LIfe is about not knowing, having to change, taking the moment
and making the best of it, without knowing what is going to happen next...Delicious Ambiguity...'.

I am savoring this moment as delicious ambiguity. Along with the smells wafting up from all the kitchens below of
sauteed onions, a pork ragu for homemade tagliatelle, perhaps a buttery easter cake in the oven. I'm sitting
in the historical seat of the Reanaissance where creating a new world view was carried out by artists like Leonardo da Vinci
and Michelangelo, and scientists such as Gallileo, and poets like Dante, no doubt smelling the same aroma's. Why can't we lift the stars and our minds and hearts now, and look beyond the veil?

The streets of Florence are empty. It's 'l'ora di pranzo', the midday meal, and this is Pasqua. I imagine the families inside sitting together at the table watching generations get old and babies grow up, spooning up sweet affection for all gathered around. There is a hush over the town, except for the noise of knives and forks, clamoring dishes and occasional laughter. Wherever we are going, I hope we bring along at least some time-honored traditions.

The doves found the right perch after the second boom. All will be well. Thank goodness. let's leave gloom and doom
to the dark ages. We are poised for yet another spring and it's promise for enlightened living.

May all beings be happy and well fed with love. May our cups always be seen at least as half full, if not running over.

Buona Pasqua da Firenze

April 11, 2009

Berber Sensibility




It’s the first week in april, 2009 and the surroundings of Marrakech are covered in an unusual carpet of green. Wild flowers, wheat fields and stretches of land that have rarely known grass, are bringing a lushness to the desert that has not been seen in 40 years.

Sheep are plump, donkey’s clip-clop seemingly more joyful pulling carts of hay, and lambs scamper after one another like children at play. I have often watched in amazement wondering how the animals found anything at all to eat, nuzzling around on what looks like pebbles on this arid land. Now they have a banquet table full of tasty options.

As we move from the plains closer to the Atlas, we are stunned by the extraordinary blue skies and the majestic snow -capped mountains that provided sharp contrast to the lush green Ourika valley below. Water is flowing in all the irrigation ditches. Olive gardens with branch-high stalks of winter wheat are mistaken for a meadow in Italy; as opposed to a mostly earthen-colored landscape typical of north Africa. The rain has not changed what they eat necessarily, but it has changed the look on the villagers faces. What was somewhat harsh, has softened. It’s cool and pleasant. For once, they are not bracing themselves against the element of dry heat and dust.

Taking a walk along the pathways from village to village, we observe farmers using donkey power to plow the mineral rich red soil, sowing their crops by hand. Small boys collect fodder for the cows, stuffing big straw panniers that straddle the back of an ass, while they, strict masters, command the animal along narrow trails as easily as jumping rope. No parents are in sight. Women only tend the cows. Small girls seem to have more patience, moving them from one pasture to the next, already mature in the nature of responsibility. I am always shocked at the absence of toys. When not tending, gathering or fetching, the children seem to play inventive games, always laughing and running around after their one and only diversion- a ball. I have seen no dolls, thankfully no plastic, and no extraneous junk lying around. I am forever impressed with how clever they are. Depending on the village and the amount of trekkers through it, the children will ask for ‘argent’ or ‘bon bon’s’. To keep the commerce down and their teeth intact, I prefer to offer a game. I particularly like hand slap’s with rhymes. ‘Three six nine, the goose drank wine, the monkey chewed tobacco on the street car line..’. They are fascinated and delighted. It’s unexpected, engaging , and offers an exchange of human spirit.

The fruit from palm trees, various biblical fruit trees, olive trees, and citrus, end up in some form, cured or preserved, on the table to season tagines and aromatic desserts. Wheat, sorghum, barley and corn are milled into flour and used for various breads and couscous. The growing season offers an almost year round plethora of fresh produce, including winter squash that provides an unmistakable alliance with traditional couscous , grounding it as a substantial vegetable of importance. Sustainability is no stranger here. It was growing before my eyes.

Then we sink further into the past. My friend David Michael, a long tall drink of water from Austin, Texas (as my southern mother would say) restored a farmhouse in the Agdal gardens of the King, on the outskirts of Marrakech. His specialty is vernacular farming and landscape. He has a contract to farm, but not to own. It’s a mix between a kitchen garden and a truck farm. He told us that it was not his way to introduce his own methods, but at times to encourage old ways that had been forgotten or overlooked. He has a fine sense of aesthetics, which draws on the simplicity of tradition. His garden has various mints, verbena, onions, artichokes, runner beans, parsley, cilantro and so forth, in 5 x 5 foot squares. Onions are grown on the borders and the rest grows in the moist center where flood irrigation takes place every 15 days. He grows two hectares of olives and barley, four hectares of fava beans, a quarter of peas and a quarter of okra. (Anyone who grows okra is near to my heart.) He has a few villagers who help him. They are teaching him the old ways. How he communicates with them is interesting; a little Berber, a little broken French and English. It’s quite touching, yet gesture and intention seem to go a long way in getting the message across.

We are welcomed with a cup of mint tea from the garden and freshly made ‘khobz’; Moroccan flatbread, stuffed with a wild herb that grows under olive trees called ‘fua’. It is pulled up, dried and then ground as a spicy element, sautéed with onions and tomato. It gives the bread an unusual ly savory flavor quite like cayenne, but not. It reminds me of the similarities of things I have eaten in other parts of the world like, Mexico and Rajasthan. Cuisines have a thread that weave around the world, worth noting. One ingredient changes everything and that one element is what gives a cuisine its identity.


Fatima prepares a couscous for us that was steamed over an earthen stove in terracotta. Without doubt , it is the best cous cous I have ever tasted. It’s rare that you can find hand-rolled and even more rare to know where the grain is grown. She demonstrated her technique with great finesse, as her hands took a little flour and water and moved it around until quite amazingly, tiny balls of dough were formed. She is slow and deliberate, but done in about 10 minutes. After the couscous cooked, we try to scoop up a small handful of it, freshly steamed, with three fingers to form a ball and pop in our mouths . We quickly realize that one needs more than a bit of practice.

After lunch we relax, drinking tea and resting on pillows. The breeze takes our thoughts away under the olive trees and over the sea of wheat underneath. Nearby curtains flap. The lunch has landed our minds in our bellies and for a moment , we get a taste of what it feels like to slow down enough to enjoy the poetry of place.

March 3, 2009

The taste of spring- Asparagus risotto!


After two helpings of my asparagus risotto last night, and the um's and ah's around the table, I thought to bring to your attention how lovely this dish is. Risotto can be daunting, but it is rather easy to make while talking to friends in the kitchen (don't your friends always end up in the kitchen?) or on my own listening to music.

I suppose some people think risotto takes too long and the stirring is boring. I disagree. Once you are familiar with the technique, it's relaxing and for lack of better words, meditative. It can be double meditative while drinking a good glass of wine while stirring. Don't choose just any any wine but in this case consider your dish. There are wines worth contemplating, not to mention pairing with your awkward friend, asparagus. I chose a South African Chenin Blanc. I added a splash of it to the pot to loosen the rice kernels that had been added to the shallot simmering in olive oil and butter. A beautiful aroma was released, sealing in an added subtle flavor to be appreciated later. Savignon Blanc is usually recommended for asparagus, but I wanted to 'stir the pot' on that theory and shake it up with a neighbor whose bright notes of mineral and citrus acidity with moderate sweetness and moderate body, could be a nice compliment to the almost impossible vegetable to pair with wine. I am bringing attention more to the act of drinking a good glass of wine, while being mindful of the engaged activity of risotto making, more than I am saying that Chenin Blanc itself is a 'vino di medatazione'. It's not. (That is saved for bigger chewier wines, like Barolo, Rioja Riserva, or Passito's.)

Enjoy this recipe. Enjoy the time it takes to relate to your food and how you feed yourself and others. It's nourishing!

Asparagus Risotto

Broth:

Water
Asparagus stems
salt
(you can also use a vegetable bouillon cube if you like)

Risotto:

2 cups arborio rice
1 bunch of thin stalked asparagus (organic if possible), chopped on the diagonal in 1/4 inch rounds.
Leave tips intact.
2 T of olive oil
2 T of unsalted butter
1 large shallot
1 cup of grated parmigiano reggiano
salt and pepper

*extra butter and a drizzle of extra virgin olive oil at the end.

2008 Man Vitners, South African Chenin Blanc

Bring a quart stock pot to the boil with an onion, cut in half, adding asapargus stems.
Large pinch of salt.

Chop the shallot fine and saute' it in a heavy skillet with the olive oil and butter until translucent.
Add the rice and coat with the oil stirring for a few minutes. Bathe with a half a glass of the Chenin Blanc,
allowing the alcohol to evaporate. Start adding broth a few ladles at a time. Let the rice simmer for a few
minutes without stirring. It's an important step, so the structure of the rice maintains it's integrity.
Keep adding the broth a few ladles at a time and let it simmer wet, stirring occasionally. Risotto does
not have to be stirred constantly. When the rice has swelled and the broth in the dish looks creamy, check
for doneness. Is it 'al dente'? Is it still crunchy? Add your asparagus and stir briefly. keep adding broth until
the rice is toothsome, but not too soft. Add the grated parmigiano, a little butter and and salt until it reaches
the desired consistency.

Serve on the plate a bit wet. It stiffens quickly! Drizzle a bit of olive oil, another pinch of grated parmigiano and
a turn of freshly ground pepper. Delish!

Serve with a glass of the Chenin Blanc.

February 25, 2009

After a long period of silence on this blog, I am ready to roll! Hopefully an auspicious beginning in line with Losar, the Tibetan New Year of the Earth Ox. Watch for a new website and exciting new postcards from my culinary adventures. I will be including you either on the road, or at home, sending insights, recipes and general phenomena that catches my eye.

We are looking forward to a tasty 2009 season, from fields to tables wherever we are invited.

Until then, buon appettito!

April 26, 2008

The House of Bedla



Soban's face has the mother love of India shining through it. Her veil comes off and on, off and on, curious and coy, respectful and shy. She is a graceful cook, her kitchen as clear and sweet as her smile. Vijay, a nobleman, was relaxed and happy to share his home and family stories. Udaipur has a long history of palaces and princes. The uncle, charming and entertaining was pleased to have guests and another opportunity to eat his favorite dishes. Karan, the son, stepped right from the the lineage of old photos of Rajput princes, yet was eager to help translate for his mother in the kitchen. The nephew from another brother, sweet and talkative, was the youngest player on India's polo team. He recently lost his father and lives now with his aunt, uncle and cousin. Soban could mother the world. "When the boys find their wives, you'll be invited to the wedding", said Vijay. I'm most excited and honored. Indian weddings are legendary.


The house was well appointed, yet simple. Family photographs of a different time and dress covered the walls. The house has screen doors and fans, a passion of mine and welcomed respite from too much air conditioning. When it's 100 degrees most of the time, the extreme temperatures don't jive. Sowan’s kitchen had two burners, old marble counters, a terracotta water jug, a spice cabinet and sink. She taught me "ladyfingers with tomato sauce and spices" and "spinach palak." The meal was elaborate, yet the table was simply set. The conversation was marvelous and we really hit it off. Sowan glided from dining room to kitchen in her beautiful saree, yet one hardly noticed. It was like a flash of color there but not there, quite like her veil. I learned that okra is not only a southern vegetable and I took a spice tin home by surprise. I had complimented her on hers, and the next thing I knew I had one "to go." I left quite touched in many ways.

April 20, 2008

Home away from home in Rome


When in Rome ... I like to stay at Portrait Suites. I've never had a favorite hotel in Rome, as the nice ones were always too expensive and full of fanfare. I don't need that. But I do like a good location, good design and friendly service. I get that and more at Portrait. It's part of the Florentine Lungarno Hotel line – owned and operated by the Ferragamo Family. In fact it seems as if Portrait is dedicated to Salavatore Ferragamo's early design days. The hotels are designed by Michele Bonan. I like his fresh, simple, liveable style with panache. Neutral color scheme, crisp white lenins, black and white photos ... I just never want to leave. It's small and intimate and with a small kitchen inside (even somewhat hidden) it feels like home.

Located on Bocca di Leone, 23, it's located over the Ferragamo shop on Via dei Condotti, just a stone's throw from the Spanish Steps. As they say, "if the shoe fits, wear it." This one fits me to a tee.